Tom Carey's Fourteen Points or The Roswell Slides Revisited

Tom Carey, who seems set on keeping the Roswell Slides controversy alive, contacted Rob McConnell to say that he had thought of several things that he, Carey, should have mentioned during his last interview. He had a list this time. Fourteen items that he wanted to say, though I confess I don’t know what difference it makes at this late date. You can listen to it here:

https://www.youtube.com/watch?v=L0oNhTsaf3M

We were treated with some of the same things that we’ve all heard in the past. We learned about Joe Beason who contracted Carey to alert him to the slides but this time Carey said that Beason had some sort of IT company which should have been

Tom Carey

a red flag for them. Then Adam Dew appeared on the scene and it was Dew, without Carey or Don Schmitt, who went to Kodak to validate the age of the film. As I have mentioned in the past, Dew, at least according to Carey, told them that the code on the side of the film was the code used by Kodak in 1947… but, of course, had Carey asked me, I would have told him that the code was for motion picture film and was rarely if ever used on slide film.

There are other things in the interview, such as them being fooled by the age and importance of other slides (or maybe Carey still believes that the photographer, that is Bernard or Hilda Ray, were pals with the Eisenhowers). This connection suggested the Rays might have been allowed to see the top secret alien bodies and to photograph them because they knew the Eisenhowers. This really makes no sense, when you think about it, but that connection to Eisenhower, because the Rays had pictures of Ike on the back of a train, seemed to suggest some sort of relationship.

But all of this has been discussed before. The interesting points come near the end of the interview. Carey said that Beason had originally contacted Stan Friedman, but Friedman was too busy to get involved in the investigation of the slides. This, as I have said, makes no sense because Friedman, who sees himself as the first Roswell investigator, has been told about the possibility of the definitive proof for the alien nature of the Roswell crash, but he’s too busy to pursue it. Instead, he said to hand this possible smoking gun over to Carey… And at no time did Carey or Schmitt ever mention any of this to Friedman even after nearly everyone in the world knew something about the slides… It is important to point out that Rob McConnell had asked Friedman about this and Friedman denied that he had ever been approached about it by Beason.

The other revelation, which also came toward the end, was that while Carey and Schmitt and those working with them had done everything they could to read the placard, it simply couldn’t be done. But Carey tells us here that there is a third slide that Dew and Beason kept to themselves. Remember, as I pointed out once we had seen the slides, they were numbers 9 and 11, and I wondered what was shown on slide number 10. Maybe there was something there that would have made reading the placard easier or revealed exactly what had been photographed.

And this is what Carey claimed. He said that while in Mexico City for the Great Reveal, there was another slide that had been shown to, or given to, Jaime Maussan. This was slide number 10, and when Richard Dolan asked for a copy of one of the slides to email to colleagues, Maussan accidentally gave him slide number 10 so that deblurring, or reading the placard, was done quickly. Well, I suppose this could be true, but the fact remains that the placard, using the proper program, could have been read prior to the Great Reveal. But Carey has confirmed that there was a third slide and that the placard seemed to be clearer in that slide which makes you wonder about them not pursuing this.

At the end, Carey seemed to accept the idea that the image was of a human child… but he sort of talked around it, so I’m not sure that if he isn’t holding out some hope that the image might not be human. He concedes that the image photographed by the Rays in the 1940s is the same as the image in photographs made in the late 19^th century and again in the 1930s. But he doesn’t seem to rule out completely the idea that it might be an alien creature that had died sometime earlier and had been interred by the native peoples. Though it seems that the answer is no, it also seems that this might be the last gasp in this sad tale.